Middle East & Africa | Rap the casbah

As Arab rappers challenge the old ways, despots hit back

Middle Eastern rulers prefer songs without pesky lyrics

Dropping beats on the patriarchy

“I’M A WOMAN in a land of dicks,” raps Khtek, a Moroccan student, whose first single, “KickOff”, went viral in February. Her lyrics criticise the country’s gaping inequality and stifling political, social and sexual hierarchies. Her tattoos and blue hair defy the kingdom’s traditions. “My rap is a voice for those who don’t have one,” says Khtek, a stage-name which in darija, Morocco’s vernacular, means “your sister”.

Rap music came to the Middle East a generation ago, when Moroccans studying in the West returned with it. King Muhammad VI has promoted hip-hop as a cultural antidote to Islamism. But it has been embraced most enthusiastically by the urban poor, who create their own tracks in local slang. Nowadays Arab rappers challenge conservative mores and articulate the fury of disenfranchised, jobless youths. Last year their protest songs became anthems in the mass demonstrations that toppled leaders in Algeria, Sudan and Iraq.

This article appeared in the Middle East & Africa section of the print edition under the headline "Rap the casbah"

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